The whole of juxtaposed fragments in the pursuit of detail as the maximum synthesis of illusory dimension of the image lies the tangibility of a supernatural world stolen to its time and to an indefinitely time returned.
We can find a form of symbolism that transfigures the natural element in the boldest form of spiritual imagination.
The images created by Roberto Cami in their mix of elusive details, never fully defined, form a sort of liquid visual harmony, in the center of which the relationship between the finite and the infinite is directly proportional to that - ultrasized - between reality and idea of reality. Only at this point we 'll can accept a topography in which the different parts of the images live, with the same authenticity of the natural and the spiritual world. In the detail of the realistic language is already held the visionary whole of different idealistic dimensions.
Everything intertwines and moves in an extreme liquidity, the dialogue between the various moments of aesthetic phenomenon is never finished, because an experimental sight able to give consistence to its thought, keeping unruly the becoming of adventurous imagination.
Digital Photographic Art
The collection is still open, includes the small under-collections: Spirits, Waiting for the Happy Creature, Fear of the Dragon, The Careful Guardian of Nature (the last work realized in 2023).
In the tale of Hybrid Generation as the animal world crosses with flora as a new animals generation of spiritual guardians of nature and environment of our lives, after Spirits, Waiting for The Happy Creature and Fear of the Dragon, we find a new species of them, here in this first specific image, interpreted in a more suffering view in the goat's burnt wood body caused by arsons and major hot climate changes.
The symbolism and representation of the goat lend themselves to interesting considerations on the relationships between culture (ideology, beliefs), economy, society and the environment. The "demonization" of the goat appears modern because, in the Middle Ages, the devil was represented in various forms. Together with the supremacy of scientific and technocratic rationalism, it facilitated the ban on goats in the 19th century. The victim of modernity, the goat took its revenge with the decline of industrialist social discipline, with the fogging of myths and illusions of science and with the “neovitalista” revaluation of nature.
The Christian theologian Origen (3rd century) makes a bold comparison that was based on the attribution to the goat not only of an extraordinary sight (a common attribution in antiquity) but also of the ability of its milk to equip those who feed on it of a sharper sight. This property of goat's milk was compared to the blood of Christ who could open the eyes of souls and endow with acute spiritual sight.
However, in various epochs and in various cultures the goat is represented in its curious and alert observing.
SPIRITS
brochure front and back
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ASPETTANDO LA CREATURA FELICE
WAITING FOR THE HAPPY CREATURE
description card
ASPETTANDO LA CREATURA FELICE 01
WAITING FOR THE HAPPY CREATURE 01
artwork cm. 40x60
ASPETTANDO LA CREATURA FELICE 02
WAITING FOR THE HAPPY CREATURE 02
artwork cm. 40x60
ASPETTANDO LA CREATURA FELICE 04
WAITING FOR THE HAPPY CREATURE 04
choose the dimensions you like to print the artwork
ASPETTANDO LA CREATURA FELICE 03
WAITING FOR THE HAPPY CREATURE 03
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PAURA DEL DRAGO
FEAR OF THE DRAGON
description card
PAURA DEL DRAGO 01
FEAR OF THE DRAGON 01
artwork cm. 40x60
PAURA DEL DRAGO 02
FEAR OF THE DRAGON 02
choose the dimensions you like to print the artwork
PAURA DEL DRAGO 03
FEAR OF THE DRAGON 03
artwork cm. 40x60
