In this work, I could say that the image of the slow, laborious, and powerful birth of humanity, at the hands of matter and the divine, emerged from the awakening of my unconscious. It takes shape in a plastic way from the earth itself, the maternal womb, from its depths and from universal energy.
A pair of skiers descends on the snow in a playful challenge, at the speed of a completely unrealistic context. The two are in fact so in harmony and part of a kind of absolute value that it’s the snow itself that generates them in a space and in an unprecedented cosmic outfit.
In memory of my friend Fabrizio and of that time spent together.
Started a small hand draft on paper on the occasion of the action day for the climate of the 15th of march 2019, the work in digital is now drawn, re-proposing and interpreting some themes of climate changes.
A cosmic light beam highlights two different characteristics caused by them. Earth is in fact symbolically represented in two parts; one barren, without seas, emptied by the drought and atmospheric pollution, the second one instead totally under water.
A Nature suffering and disoriented for that is expressed by the screaming and injured flower which also rebels against pollination, perhaps not recognizing bees as allies, thus also introducing the theme of the risk of their extinction. These, drawn with broken lines and cubic shapes take a micro-robotic appearance, by growing a doubt...
A pure and rarefied alien being, perhaps our ancestor, observes the evolution of our world.
dimensions of matter cm. 71x101 + white frame
An interpretation of the extensive computer network connected to the Internet and so of the globalization, through which communities and emotional dynamics create themselves and are constantly changing. A mesh where the human figures that constitute it, seem clinging and sustaining themselves with effort, at a time when the social, economic and political world trends are clearly conflicting.
2012
 |
FISHES OUT OF WATER dimensions of matter 105x70 cm 2009 This
work is a photographic consequential overlapping of an everyday home
and randomness sequence: the fishes on the floor due to the bump of
the pan at first and the second inevitable step of the dog bowl where
the remains have been placed. The
back blue/grey colour of the image is the trace of what rest of the sea... Among
some of the participations of this artwork I remember the exhibition
of the Coos Art Museum Prize, Fish&Fishing, 2010 - Oregon,
USA. |
2008
URBAN BASKET
year 2009
