EVOLUTION EVIDENCES





In the urban fabric becoming , through the time sedimentations , what we often heard to call "architectural organism" participate in the contemporary, with its "organic" specials and in its design and realization component. So, a sophisticated artifact, adds in this actuality the last step of its evolution through the clean lines of its essence. My eye is so placed on that signs, on the colours of this evolved species, on the tangible evidences of the construction and its building on, such as fingerprints of men and dirty marks of the metal plates of plasterboard walls during assembly. The artwork has been created observing architecture and construction becoming.






This work exemplifies new media, hybrid, and digital art, in a post-media approach—a visualization of a mental image originating in the digital realm that finds a meaningful existence as a certified, unique-edition fine art print. In the urban fabric becoming , through the time sedimentations , what we often heard to call "architectural organism" participate in the contemporary, with its "organic" specials and in its design and realization component. So, a sophisticated artifact, adds in this actuality the last step of its evolution through the clean lines of its essence. My eye is so placed on that signs, on the colors of this evolved species, on the tangible evidences of the construction and its building on, such as fingerprints of men and dirty marks of the metal plates of plasterboard walls during assembly, reported in a second photography in the same idea, image and dimension. The resulting orizzontal image is composed of geometric elements of contemporary architecture: two facades featuring ribbon windows, set in a striking perspective, frame a volumetric facade with red cladding—a view echoed by a small, dimly lit internal courtyard. The image is overlaid with a second, black-and-white photograph showing construction-site grime and footprints.



EVOLUTION EVIDENCES 08










The image is overlaid with a second photograph of fingerprints of men and dirty marks of the metal plates of plasterboard walls during assembly; together, these photos—within this composition—evoke the evidence of a work in progress, of the transformation of time, with the expectation of the finite and of the lives that will take possession of it.




EVOLUTION EVIDENCES 01
dimensions of matter cm. 20X30










New media, hybrid, and digital art, in a post-media approach—a visualization of a mental image originating in the digital realm that finds a meaningful existence as a certified, unique-edition fine art print. Architectural organism participate in the contemporary, with its "organic" specials and in its design and realization component. So, a sophisticated artifact, adds in this actuality the last step of its evolution took in the first picture through the clean lines of its essence. The idea originated from photographing a corner construction detail where the red exterior cladding interacts with the white volumes of the loggias. The image is overlaid with a second photograph of shoeprints of men and dirty marks of the metal plates of plasterboard walls during assembly; this composition evoke the evidence of a work in progress, of the transformation of time, with the expectation of the finite and of the lives that will take possession of it.



EVOLUTION EVIDENCES 10
dimensions of matter cm. 40X60










New media, hybrid, and digital art, in a post-media approach—a visualization of a mental image originating in the digital realm that finds a meaningful existence as a certified, unique-edition fine art print. Architectural organism participate in the contemporary, with its "organic" specials and in its design and realization component. So, a sophisticated artifact, adds in this actuality the last step of its evolution took in the first picture through the clean lines of its essence. The idea originated from photographing a corner construction detail where the red exterior cladding interacts with the white volumes of the loggias. The image is made up with a second overlaid photograph of fingerprints and cigarette burns of men and dirty marks of the metal plates of plasterboard walls during assembly; this composition evoke the evidence of a work in progress, of the transformation of time, with the expectation of the finite and of the lives that will take possession of it.




EVOLUTION EVIDENCES 05
dimensions of matter cm. 40X60










New media, hybrid, and digital art, in a post-media approach—a visualization of a mental image originating in the digital realm that finds a meaningful existence as a certified, unique-edition fine art print. Architectural organism participate in the contemporary, with its "organic" specials and in its design and realization component. So, a sophisticated artifact, adds in this actuality the last step of its evolution took in the first picture through the clean lines of its essence. The idea is originated from photographing a view of the city featuring the dome of a historic church in the background and, in the foreground, the geometric lines of a building contemporary facade seen at a three-quarter angle, by a white and red similar arrow shape. The image is made up with a second overlaid photograph of fingerprints and cigarette burns of men and dirty marks of the metal plates of plasterboard walls during assembly; this composition evoke the evidence of a work in progress, of the transformation of time, with the expectation of the finite and of the lives that will take possession of it.




EVOLUTION EVIDENCES 06
dimensions of matter cm. 20X30 










New media, hybrid, and digital art, in a post-media approach—a visualization of a mental image originating in the digital realm that finds a meaningful existence as a certified, unique-edition fine art print. Architectural organism participate in the contemporary, with its "organic" specials and in its design and realization component. So, a sophisticated artifact, adds in this actuality the last step of its evolution took in the first picture through the clean lines of its essence. The idea is originated in the photograph, the façade emerges, divided in sections: red cladding, glazing, and grey slat cladding, along with a transparent, detailed, rectangular, window. The composition almost seems to form a face with closed eyes in the grey tones of a second picture superimposed, an entirely chance occurrence, in the dirty of fingerprints of men and dirty marks of the metal plates of plasterboard walls recorded during assembly; this vertical composition evoke the evidence of a work in progress, of the transformation of time, in a visual dialogue of finite time and becoming in time, waiting for to live in.




EVOLUTION EVIDENCES 09
dimensions of matter cm. 60x90










New media, hybrid, and digital art, in a post-media approach—a visualization of a mental image originating in the digital realm that finds a meaningful existence as a certified, unique-edition fine art print. Architectural organism participate in the contemporary, with its "organic" specials and in its design and realization component. So, a sophisticated artifact, adds in this actuality the last step of its evolution took in the first picture through the clean lines of its essence. The conceptual idea is visually manifested in the coexistence of these two photographs. The perspective of the white and bronze staircase within a contemporary, gray geometric space with a red band flanked by a slab converging at the center of the image emerges from the dirt and distortion of the metal sheets used in the construction. Overall, the image features white lines and shades of gray with a red horizontal band. This vertical composition evokes the evidence of a work in progress, of the transformation of time, in a visual dialogue of finite time of the architectural project and becoming in time of the matter, waiting for to live in.




EVOLUTION EVIDENCES 07
dimensions of matter cm. 60x90










New media, hybrid, and digital art, in a post-media approach—a visualization of a mental image originating in the digital realm that finds a meaningful existence as a certified, unique-edition fine art print. Architectural organism participate in the contemporary, with its "organic" specials and in its design and realization component. So, a sophisticated artifact, adds in this actuality the last step of its evolution took in the first picture through the clean lines of its essence. The design idea is based on the visual coexistence of the solid geometry of the architectural building's facade (in the volumes of the loggias, slabs and projecting windows) in the shades of grey accompanied by the red of the sheet metal cladding and the dirty of fingerprints of men and dirty marks of the metal plates of plasterboard walls photographed during assembly; this vertical composition evokes the evidence of a work in progress, of the transformation of time, in a visual dialogue of finite of the architectural project time and becoming in time of the matter, waiting for to live in.




EVOLUTION EVIDENCES 02
dimensions of matter cm. 60x90










New media, hybrid, and digital art, in a post-media approach—a visualization of a mental image originating in the digital realm that finds a meaningful existence as a certified, unique-edition fine art print. Architectural organism participate in the contemporary, with its "organic" specials and in its design and realization component. So, a sophisticated artifact, adds in this actuality the last step of its evolution took in the first picture through the clean lines of its essence. In the image thus constituted, one can see the three-quarter facade of the building with its red doge-coloured cladding and its object-like volumes emerging from the dirt of fingerprints of men and dirty marks of the metal plates of plasterboard walls photographed during assembly; this orizontal composition evokes the evidence of a work in progress, of the transformation of time, in a visual dialogue of finite of the architectural project time and becoming in time of the matter, waiting for the people living in.




EVOLUTION EVIDENCES 03
dimensions of matter cm. 40X60










New media, hybrid, and digital art, in a post-media approach—a visualization of a mental image originating in the digital realm that finds a meaningful existence as a certified, unique-edition fine art print. Architectural organism participate in the contemporary, with its "organic" specials and in its design and realization component. So, a sophisticated artifact, adds in this actuality the last step of its evolution took in the first picture through the clean lines of its essence. In the image thus created, part of the building's facade can be seen emerging with its red slatted cladding, almost as if it were an ancient banner, and its projecting volumes, from the dirt of fingerprints of men and dirty marks of the metal plates of plasterboard walls photographed during assembly; this orizontal composition evokes the evidence of a work in progress, of the transformation of time, in a visual dialogue of finite of the architectural project time and becoming in time of the matter, waiting for the people living in.




EVOLUTION EVIDENCES 04
dimensions of matter cm. 30x20





Project: 10 artworks.
Concept Origin: digital file, 2011.
Dimension of matter: varies, on dbond+spacer on the back.
Authenticity and Edition: unique edition 1/1, signed by the artist + certificate of authenticity for the file or the print.
For print purchasing Saatchi Art link:
https://www.saatchiart.com/en-it/art-collection/EVOLUTION-EVIDENCES/2118037/755379/view
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